Syair Lagu Gandrung:

Supremasi Islam dan Identitas Using

Novi Anoegrajekti

Jurusan Sastra Indonesia

Fakultas Sastra Universitas Jember

Jalan Kalimantan 37 Jember 68121

novi.anoegrajekti@gmail.com

Abstract

The long history of Gandrung has left notes that this art, which belongs to the Using community, is always faced with forces beyond itself. Market bureaucracy, and religion have long become the hegemonic forces that dominated this traditional art. The are several important things that can be seen from the whole analysis about those battles. First, as a cultural process, those hegemonic forces are formed in incoperation within various positions. Referring to the concept proposed by Williams, the as the most dominat forces in Gandrung hegemony becomes the dominat culture; the conservation of tradition becomes the residual culture because it survives by reviving meaning, values and norms that have been left; while Islam as a new this becomes the emergent culture.